Public Access Community News Magazine

PRODUCERS AND VIDEO SHOW UPDATES:

Maryland based Non-Profit 501c3 Public Charity

Call us at 410.709.UCAM (8226)

www.ucamnet.org

admin@ucamnet.org Mission

United Community Access Media promotes the education of, training in, and access to media for the purpose of documenting the progress of our community.

We approach our mission by creating and developing projects which are approved by our Board of Directors and supervised by a Project Coordinating Council. Each project is headed by a project coordinator who assembles the crew and staff and materiel needed to achieve the goals of the project. Each project will include a training component so that by the completion of each project’s goal, the community involved will have the means to manage projects either with or independent of UCAM in the future. Vision

- We promote the education of, training in, and access to media for the purpose of documenting the progress of our community, the general public.

- We produce and publish public service announcements for free to non profit community oriented organizations.

- We connect professionals in the field of documentation with individuals and community organizations, providing mentoring and training services.

- We assist community organizations in documenting their events, both for their own archives and for presentation to the public. How can we serve you?

UCAM is a service based organization.

We document the progress of our community...
The big our... which includes you and your community.

Is there something going on in your community that you wish to document?

Are you part of a community organization? a youth group? a senior group? a non-profit? an artist collective?

Board of Directors

Officers:

Mark Matthews (President)
Brian R. Naughton (Vice President)
Angelo Brooks (Treasurer)
Richard Waddington (Secretary)

Members of the Board of Directors

Judith Lombardi
Adam Milam
Frederick I. Scott, Jr.
Kwame O. Abayomi
Mary O'Byrne

Executive Director
David SawyerProject Coordinating Council

Jared Jackson
Project Coordinator
Academic Media Consortium (AMC)

Ashley Ramsey
Project Coordinator
Academic Media Consortium (AMC)

Raven Black
Project Coordinator
Community Media Consortium (CMC)

David Sawyer
Project Coordinator
Community Media Consortium (CMC)

Ayza Maxton
Project Coordinator
Community Media Consortium (CMC)

Gabriel Holden
Project Coordinator
Global Access Media Alliance Network (GAMA)

Eugene Balbierz
Project Coordinator
Global Access Media Alliance Network (GAMA)

Projects

Academic Media Consortium (AMC)

The AMC utilizes a comprehensive network of Baltimore Area colleges and universities for the purpose of sharing resources, collaborating on common tasks and assisting in the development of community media relationships.
This consortium is a resource for many of the other ongoing projects of UCAM. The AMC is made up of principals involved in collegiate publications, journals, calendars, film, video, audio, live events (such as lectures, concerts, etc.) and appropriate meetings in the Baltimore Metropolitan Area.

A prominent feature of the AMC is the mentoring/training aspect, which directly relates to UCAM’s mission to train the community in the skill sets pertinent to becoming independent practitioners of media development. Integral is the use of the consortium member institutions’ facilities for training, production, screening and resource development. The collegiate members of the consortium choose mentees from area high schools and community based organizations who have an interest in media development.

Community Media Consortium (CMC)

A production oriented project which identifies stories and events in the community and presents them in the form of newsreels and short subject documentaries for distribution to area wide screens. It also produces these programs for web casting and DVD media.

Among the journal “beats” covered by this project are the following:
- Neighborhood community associations and non profit organization meetings, events, fund raisers, etc.
- The back stories behind the hard news covered by other journals
- The education beat
- The arts and entertainment beat
- The community media beat.

Global Access Media Alliance (GAMA)

A project that retrieves and presents on a regularly scheduled basis the archival work of public access television with the permission of principals involved. These viewings are made available for the web, television and other media as approved. UCAM Connections:

The Fusion Group http://www.fusiongroup.org/

UCAM on Facebook http://www.facebook.com/group.php?gid=148781746645

Get Involved - Documenting Progress

If you are a:

- Media Professional
- Media Amateur
- Student interested in or studying media
- Community Organization
- Community Leader
- Non-Profit Organization
- For-Profit Company looking for a Public-Private Partnership with a media based Non-Profit
- Philanthropic Organization
- Human being that has an idea and wants to document the progress of your community

Then Contact Us via this online form
or call 410.709.UCAM (8226)

Maryland based Non-Profit 501c3 Public Charity

Call us at 410.709.UCAM (8226)

www.ucamnet.org

admin@ucamnet.org

We will continue the Baltimore Music Conference www.bmcon.org and the Baltimore Womens Film Festival video projects www.bwff.org . Also we will be further planning the video and blogging of the Baltimore Homeless Lifestyle: 'Fast Walker'. Collaborating, Joe, Joe (Fast Walker), and Dave are homeless and/or unemployed, but will write and interview for us, to make it real. We need additional community access support through volunteers, financial, equipment, and non-profit association sponsorships. Please inform us who is interested in cooperating with us. Eugene BalbierzBaltimore Update Multimedia baltimoreupdate@yahoo.com

What is a podcast?
A podcast is a recorded audio program distributed via a RSS feed. For more information, see Wikipedia's podcasting entry.

Other online podcasting resources and directories:
> Yahoo! Podcasts
> iTunes
> Podcast Alley
> iPodder.org
> Odeo
> PodNova
> PodcastPickle.com

Public Access Video Programs -

Hello. My name is Bill, and I’m traveling around the world on an open-ended interactive journey that’s more of an experiment than it is a plan. Starting February 19th, 2007, I’m publishing a new video blog every weekday on this site. I have a satellite modem, and so will be able to upload reliably from anywhere in the world. My schedule is still pretty open, and I’m not sure what to expect. But at this point, I’m open to almost anything. Yeah!!

I grew up in California, did some university study in Massachusetts, and moved back to San Francisco in 2001. Since then, I’ve worked freelance crew jobs in film and television. In San Francisco that means working on all sorts of projects; commercials, industrials, the occasional feature, and yes, wedding videos. San Francisco has been great to me. I got strangely and wonderfully involved in the cabaret theater scene, consumed a lion’s share of excellent burritos, and enjoyed the sunny California weather. But it’s time for a change.

Globalization isn’t a new phenomenon. But it’s moving really fast these days. As of about a year and a half ago, we can now carry in our backpacks a satellite modem the size of a hard-back book that can connect to the internet from any location on the planet. We carry digital cameras on our mobile phones, and when world events happen in front of us, we capture a short video and make headlines. We belong to a handful of social networking websites, and can meet people in far away lands without stepping outside our door. What a World.

It dawned on me a few months ago, that if you had all the right gear, (camera, laptop, sat. phone, solar panels) a person could be a new sort of independent journalist; uploading video stories from anywhere in the world, while maintaining one’s creative freedom. I figure that within a few years, most travelers and bloggers will have this sort of gear, and we’ll have thousands of un-affiliated reporters roaming the globe, sending out news as part of a diverse open-source media network. I don’t really consider myself a journalist, but I’m interested in trying out the concept to see what happens.

It’s all very exciting. Drop me an email if you have any ideas for destinations or topics. Lets Ride.

http://liveearth.msn.com/le/video07-07-07 World Music Event

Google News Alert for: "internet television" webcast

NASA Announces STS-117 Mission Web and Television Coverage
PressZoom (press release) - Amsterdam,Netherlands
A prelaunch webcast is set for 11 am EDT June 7 on NASA Direct, Kennedy's Internet broadcasting network. The program will feature a mission overview hosted ...
See all stories on this topic

My Name is Bill World Tour: www.mynameisbill.com African Tour Highlights: Bill Bowles, Interactive World Traveler: traveling around the world on an open-ended interactive journey that’s more of an experiment than it is a plan.... My Name is Bill World Tour: www.mynameisbill.com African Tour Highlights: 060707 Just One Poem Spoken Word, Namibia http://mynameisbill.com/20070607.html 060607 C. Ngobizeko Primary School Dance Performance http://mynameisbill.com/20070606.html 060507 The Savannah Namibia http://mynameisbill.com/20070605.html 060407 Namibia Schoolyard Playground http://mynameisbill.com/20070604.html 060107 The Forum at Otjenene Politics in the Morning Namibia www.mynameisbill.com/20070601.html 053107 The Soccer Field Meet the Pumpkins www.mynameisbill.com/20070531.html 053007 The outskirts of Katutura Babylon www.mynameisbill.com/20070530.html 052907 Bicyle Empowerment Network Pedal Power Namibia www.mynameisbill.com/20070529.html www.mynameisbill.com/20070523.html The Mall in Windhoek Namibia 5/23/07

Check out my stuff at:
http://www.myspace.com/tommyliberto
Wedding Music Video
http://www.youtube.com/v/SROLuKTiBNM
and following ceremony,
http://www.youtube.com/v/1uLXtVW_x9Y
and my film page:
myspace.com/tommylibertoschannelzero

Hello,
This is your occasional Rappin' With Rockstars News Update! - We have new TV Shows online and scheduled to air on TV! They include Third Eye Blind, Billy Idol, and The Jarflys (featuring Jimi Haha, lead singer / guitarist of Jimmies Chicken Shack)! We also put together a show with footage from our recent Florida Vacation, and a show produced by a friend of ours at Area 13 Films called "My Show Is Better Than Your Show"! Click here to view all shows online: www.rappinwithrockstars.com . - We just interviewed Anthrax, Sworn Enemy, Lake Trout, and Verbal, and are working on those shows. They will be completed and airing soon! - Many new interviews are scheduled, with a few surprises!

Keep checking the website for details! www.rappinwithrockstars.com - The Rappin' With Rockstars TV Show has been mentioned in 2 newspapers... one in Washington, DC and one in New York City. Here are the links:

http://www.washingtonpost.com/wp-dyn/content/article/2005/08/29/AR2005082901897.html (an article that was in the Washington Post not too long ago. A quick Rappin' With Rockstars Plug, but we'll take it!).

http://www.gothamgazette.com/article/communitydevelopment/20051130/20/1666 (this is an online New York newspaper talking about New York shows...another quick plug!)

Mark Rappin' With Rockstars TV Show www.rappinwithrockstars.com rappinwithrockstars@mail.com

Public Access Program Submission Guidelines

Interim Public Access Program Submission Guidelines Baltimore City's Public Access Channel (Channel 75) has completed an upgrade to its system to allow for more varied programming and to better serve the community.
We are pleased that we can now accept DVD's, mini DV and SVHS also, but in order to ensure your program is aired please rely on the following guidelines for submittal:
1. Each program should be on a SVHS, mini DV or DVD format.
2. VHS tapes produce a compromised quality and should be avoided, if possible.
3. Each program must have a continuous Video and Audio track for the entire length of it. Audio should be recorded in stereo. If Mono is the only option, record the audio on the Left Channel.
4. Each program must start with a minimum of 10 seconds of Black, Color Bars or a 10 second countdown to the first video frame. (maximum of 30 seconds)
5. Programs should be either 28 to 30 minutes or 58 to 60 minutes in length. Multiple programs can be combined to achieve this length.
6. A program submittal form "must be completed in it's entirety" prior to acceptance.
7. Each Tape or DVD should be clearly identified with a program name(s) and TRT (Total Run Time) on a separate sheet attached to or marked on the case.
8. All DVD's shall be DVD-R or compatible to NTSC Region 1 quality.
9. DVD-Rs must be at 12x speed or better.
10. All DVDs must be submitted at minimum 1 day prior to first airing request date.
11. All submitted programs should be by a Citizen of the City of Baltimore. (Non-local programming must have a local Citizen sponsor.)
12. All submitted programming must be picked up no later than 30 days of airing or it will be disposed of or recycled.

Programs Series (A collection of common theme programs) Any person submitting a series of programs should contact the Baltimore City Public Access office to arrange a meeting time to discuss any additional requirements that the series may require depending on it length, requested air times, and the number of shows in the series.
In order to properly schedule series shows we require a minimum of 5 shows be submitted together prior to the requested air time.
Any person submitting series programming must make arrangements to pick up or have tapes and DVDs returned to them at the end of the airing period.

Time Sensitive Programs (Programs needed to air within a specific time) Any person submitting programs that must air within a specific time period must make prior arrangements with the Baltimore City Public Access office staff. Depending on the frequency of the programs, additional submittal requirements may be needed (i.e. daily airings will be handled differently than weekly airing requests).
Same Day Airing Any submittal for a daily Same Day Airing must be received in the Baltimore City Public Access office by 11:00 am to ensure airing that day. All daily same day airing requests must be pre-approved by the office. All same day airing programs should be submitted in the S-VHS format and meet all the requirements listed above.
Graphic Stills Any graphic submitted for the Bulletin Board should be an 800 x 600 size. The file should not be larger than 5,000kb in size and saved as a JPEG or TGA file format.

Distro Bistro
by James DeRuvo
You've finally got that masterpiece in the can, now what?

You've managed to produce your great American film. So, what do you do next? If nobody besides your family and friends see it, what's the point? The next step is distribution.
Screen Test
A public screening not only gives you the unbiased feedback of strangers who see your film, but also provide the opportunity to draw in other filmmakers and do some networking. After all, filmmaking is a collaborative effort and the more kindred spirits you can meet and swap business cards with, the better for the success of future projects. Then there's the added benefit of local press.
The first thing you want to do is secure your venue. There are plenty of great places around, which could be turned into screening venues without breaking the bank. The thing you want to think of is… location, location, location. A centrally located venue will make it easier for your audience to come to your screening. And the central hub is usually the ideal location for local theater companies that have seating and snack bars, while restaurants, coffeehouses, pubs and nightclubs all sell food and drinks.
All will be eager to bring in a packed crowd on a slow night to improve the bottom line so the key is to think "off night," and sell a manager of a venue on the fact that you're providing a solution to that problem. Bringing in people, who will not only watch your film, but will buy their food and drinks. And if it's successful enough, the manager may want it to be a regular weekly event. Which is good for you, and good for your colleagues who want to also showcase their work.
Then, when you hold the screening, advertise the venues food and drink specials, letting the management know you care about their success for the evening including your own.
Once you've secured the venue, you want to consider the equipment you'll need to pull off a successful screening. A 25" TV and a VCR won't cut it if there's 50 or 100 patrons expecting to see something on a silver screen. This is where one needs to think not only big screen, but also projection TV. The larger the screen, the more impact your film will have on its audience. Contact local video groups and join them. You'd be surprised what equipment you may gain access to by making a few friends and sharing resources. There's also local camera stores, which operate rental equipment. Make a deal to offer some sort of cross promotion, or get them to sponsor the event.
Getting the Word Out
This is where the real work begins. Use everything from postcards and flyers, to a well-placed ad on web sites like craigslist.org, which can let people know the where and when of your screening. And every community has "free" newspapers whose ads are very affordable. Their circulation is often large and with an eye-catching ad, people may just get the idea for a night out.
There's also safety in numbers. People may be more likely to come for a screening if a full bill is planned. So, not only showcasing your film, but the films of friends and colleagues (especially shorts), can offer a mini festival feel and give more bang for the buck. It's also much easier if 5 fellow filmmakers are splitting costs and effort to get the word out, than for you to go solo.
If you do go the "co-op" method, though, you need to protect yourself with some simple ground rules:
    Length. Make sure you only take submissions that are short. Like ten minutes. That way people are more likely to stay over the course of several shorts rather than a marathon of features.
    Ratings. Be careful of how racy a film may be. This is not only to avoid offending your audience, but also to avoid offending your venue management. Nobody likes bad press, especially word of mouth. Stick to the basic guidelines of the Hollywood ratings system and show films no "harder" than what some would consider PG-13..
    Rights. Make sure that any film you show has secured rights to music used, has signed talent releases, and location release from property owners, unless it was on government property. The rule of thumb should be, if you think you need a release, get one. And if you don't think it's necessary, get one anyway.
The Big Night
If you don't want to host your screening, then find a charismatic host who can entertain and moderate the evening. Perhaps a local comic or radio personality (this offers the added bonus of possible PR potential in the form of an interview or at least an on-air mention of the event). Make sure the cast is on hand and offer a brief Q&A so the audience can engage with those they just saw in the film, and it also can offer for some instant feedback on the screening.
Competition - The Next BIG Step
Once you've had a screening or two under your belt and have gotten some really good feedback, it may be necessary to go back into the editing room in order to dial your film in for the next big step -- Film festivals. These competitions not only offer exposure, but also a chance to garner awards, PR opportunities, and even exposure to those who can distribute your film. But the question is, how to get into one?
Web sites like filmfestivals.com offer comprehensive coverage of festivals from Cannes to Slamdance. And many festivals get some or all their submissions from one stop sites like withoutabox.com, a service started by filmmakers to submit to a wide variety of film festivals by only creating one package. Free to the filmmaker except for film festival entry fees.
The key is to find the best showcase for your film. Granted, every filmmaker would love to see his/her film get the Palm D'Or at Cannes, but that's unrealistic. Mainstream festivals like Cannes or Sundance are not only way too competitive, but have gone "corporate" with major studios or Indy labels taking up all the air in the room, and raising the bar to the point that smaller independent films like yours may not even be considered.
Often times, being a big fish in a niche pond is more advantageous. Film Festivals like the Santa Barbara International Film Festivals are more into discovery than popularity. And many films often "tour the festival circuit," gaining buzz off a smaller festivals, which can position them to be noticed and accepted by even larger ones.
The most important thing when submitting your film is to assure it has the best success by following the submission requirements to the letter. If the festival wants your film on DVD, don't send it on VHS.
Once selected, the way you market your film can directly affect its success at the festival. Be at every single screening for the Q&A, and for the entire film festival. Be armed with cards and flyers telling the time and get volunteers to pass them out. Make friends with filmmakers and the press office. Be visible, and be nice. Get your actors to come to support your film and be ready for the Q&A.
Film festivals offer both jury awards and audience awards. And many times, the audience award will garner your film better publicity and buzz than the jury prize. Both are good in helping your film to take the next step.
Online
Finally, the World Wide Web has changed the world of filmmaking. In today's high speed, mobile world, people are driven by what they see on the net as much or more than on television or in the theaters.
There are web distribution options like peer to peer file sharing (P2P). Networks like BitTorrent offer a great way to get your content out to the masses, but the downside is the difficulty with keeping track of who has possession of your video and what they are doing with it. Additionally, if you're not careful, you can also get computer viruses and spyware via P2P downloads. So, although it can be a great method of distribution, it can be slightly dangerous as well.
Legitimate options can include offering your film for download from such web portals as AtomFilms and iFilm, which can give your film exposure, while portals like Yahoo or Google Video can even help you sell your film via purchasable downloads. Both YouTube.com and MySpace.com are also becoming very popular ways to get your video out. What's really cool about such portals as iTunes, is that the infrastructure of vidcasting allows for getting your film out there via RSS feeds, a way in which video players and computers can automatically download by reading the XML file for updated content. Additionally, iTunes is the hot ticket right now for downloaders so exposure is excellent.
Every portal has its own requirements for how a film should be encoded for download, and it's usually easy to find this information on its website.The idea is to get your film out there. Get it watched and get it noticed. From there, who knows what the next step can be?
James DeRuvo is producer and editor for a broadcast production company

Info@globalcommunitymedianetwork.com

4432575864

info@baltimoreupdate.info

INTRODUCTION: Availability of digital multi media services in a cooperative and consortium of professionals to the community.

MISSION: Audio/visual recording of the Community's History and Progress

SERVICES: Videography, Internet Video Streaming, Radio Programming, Present Documentation and Historic Recordation, Photography, Voice overs, CDs & DVDs

EVENT COVERAGE: Art Reception, Charette, Commercials,Public Announcements, Book/Author Talk, Documentaries, Dance, Theater, Interview, Key Note, Press Conference, Hearing, Round table, Town Hall, Music Festival, Debates, Community Hearing, Weddings, Seminars, Workshops, Panels, Conference, Summit, Rally, Live and Recorded Web Video Streaming, Radio Program, Historic event,

MEDIA NETWORK RATE CHART with negotiation and bartering

ITEM PER HOUR HALF DAY FULL DAY OVERTIME
DESCRIPTION 60 minutes Up to 4 hours 4 to 8 hours Over the 8 hrs
Videographer $100.00 $400.00 $800.00 Add $100 ea hr
Camera $100.00 $400.00 $800.00 Add $100 ea hr
Photographer $100.00 $400.00 $800.00 Add $100 ea hr
Sound/audio $17.50 $175.00 (10 hrs)
Lighting
Set design
A/V Switcher
Interviewer
Moderator/MC
Speaker/Voice
Graphics Arts
Music Input
Web streaming
Makeup image
Script writing
Post Prod Edit $250.00
Dvd/tape copy $15.00 ea
½ hr Setup/ breakdown $50.00
Travel expense Per Round trip
Parking cost Per day/person
Lodging cost Per diem
Meal cost Lunch/dinner
Communication Per call
Signs, copies Per request

Client and Venue Experience:
Theater Project

Charles Theater

Senator Theater

Johns Hopkins University

Sojourner Douglass College

University of Baltimore

University of Maryland Baltimore

Notre Dame College

MICA- Maryland Institute College of Arts

Goucher College

Enoch Pratt Free Library

Basilica of Baltimore

Baltimore Hostel

Walters Art Gallery

Baltimore Museum of Art

Meyerhoff

Baltimore Science Center

Hippodrome-Frances Merrick

Baltimore Convention Center

School 33

War Memorial Building

Geppis Museum

Sports Legends

Digital Harbor High School

Baltimore Museum of Industry

Power Plant Live!

Creative Alliance

Load of Fun

Reginald F. Lewis Museum of African American History

Village Learning Center

Peabody Conservatory
Event Experience:
Mayor's Cultural Town Hall

Dance Baltimore

Artscape Festival

Baltimore Music Conference

Maryland Film Festival

SOWEBO Festival

Baltimore Chop Bookstore Music Series

Theater of the Rising Sun

Municipal Opera Company of Baltimore

Miss America Pageant

Whitbread Ocean Race - Baltimore

Volvo Ocean Race – Baltimore

Baltimore City Comcast Cable Public Access Television Channel

Key Highway Community Association

Pigtown Mainstreet Community Association

Norman Rockwell Exhibit at Science Center

Mayor's Christmas Parade

Martin Luther King Jr. Day Parade

Fasimbas African Root Music

Fells Point Festival

Cinema Lounge Baltimore

Associated Cooperative: Furnished By Request

info@bpatv.org

Videoed Event Inventory 1. A. Robert Kaufman, U.S. Senate Interview 01/10/06 $10 each 2. AIA Baltimore $15 each 3. Algebra Project, Student Education March $5 each 4. Angel Fall Art $10 each 5. Baltimore Book Festival $10 each 6. Baltimore Music Conference 12/03/05 at Sonar Club, Old Man Brown... $20 each 7. Baltimore Music Conference 12/3&4/05 at Sonar Club Part 1 $20 each 8. Baltimore Music Conference 12/3&4/05 at Sonar Club Part 2 $20 each 9. Baltimore Music Conference 12/3&4/05 at Sonar Club Part 3 $20 each 10. Baltimore Music Conference Music Seminars $20 each 11. Baltimore Music Conference October 8 & 9, 2005 $20 each 12. Baltimore Shriners Convention at Inner Harbor $10 each 13. Baltimore Visitors Center Opening $10 each 14. Billiards World Record at Convention Center $ 10 each 15. Chinese New Year 2007 at Myerhoff Auditorium 2/3/07 $15 each 16. Cinco de Mayo, May 5th Celebration $5 each 17. Cinema Lounge at Gardels- PenProductions,TangoDancer,FrancesXavier, $10 each 18. Collective Artist Event at Good Love Bar, July 11, 2006 $10 each 19. Current Gallery Events (Many Sections) $10 each 20. Darfur Sudan March and Talk $10 each 21. Dinesh Tripathi Attorney speaks on Human Rights and Nepal King and Democracy $10 ea 22. Fashion On Charles at Gardels Supper Club, 10-14-05 $20 each 23. Fells Point Art Loop $10 each 24. Flower Mart Fesival $5 each 25. Gallery 1448 (Many segments) $5 each 26. Gardels Salsa Dance and GLAM First Friday $10 each 27. Gay Pride Party $10 each 28. George Soros Keynote Speech at PJC Dinner $10 each 29. Hampden Festival $5 each 30. High Zero Music Festival $5 31. ID 8 Gallery (Many segments) $10 each 32. Jewish American Festival $5 each 33. Key Highway Benefit Party $10 each 34. Key Highway Community Association Meeting Talks$10 each 35. Key Highway, City of Baltimore Planning Department Charrette at Key Highway, Digital Harbor High School $10 each 36. Light Street Gallery Art Openings $10 each 37. Load of Fun Gallery Events $10 each 38. Martin O'Malley's Election Night Party at Hippodrome $10 each 39. Maryland Art Place $10 each 40. Maryland Art Place MAP (Many Sections) $10 each 41. Maryland U.S. Senate 3 Candidate Debate $10 each 42. Miss USA Pageant at Baltimore at Hippodrome $15 each 43. Mob Television $5 each 44. Norman Rockwell Exhibit at Baltimore Science Center $15 each 45. Otto Bar $5 46. Pig Town Association Event $5 each 47. Pigtown Interview $5 each 48. Ray Lewis Days $5 each 49. Reginald F. Lewis Museum Opening $15 each 50. Ritz Carlton Announcement and Demolition $5 each 51. Ritz Carlton Building Height Requirements $5 each 52. Rose Street Community Center, Epidemic of Homicides: Rose Street Community Center, Ex-Felon Association Walker Gladden and Panel/Audience Discussions at Contemporary Museum $10 each 53. Ruby Hayes Jazz Singer with band at Creative Alliance 2 Parts $10 each 54. Sapphire by Tribe Productions Parts 1 and 2, Multimedia Event at Sonar Club $20 each 55. School 33 Art Event $5 each 56. Sowebo Festival $5 each 57. Spoooge and Dorsal Fink at Mums$5 each 58. Sports Legends at Camden Yards $10 each 59. Steve Fogleman Candidate for City States Attorney $5 each 60. Streaming Media East 2006 at Hilton New York City 5/23/06, Keynotes/Sessions 3 tapes $10 each 61. Strut Fashion Shows at Power Plant Live! $10 each 62. Toyota ProBeach Volleyball at Rash Field $5 each 63. USA-Phillipines- Author Book Talk at Enoch Pratt Free Library $5 each 64. Veterans For Peace Talk $5 each 65. Volvo Ocean Race 2006, 2002 $30 each 66. Walters Art Gallery Art Salute Awards Events $5 each 67. Whole Foods Cooking Classes by Jason (Many Themed Sections) $10 each 68. Whole Foods, Moosewood Restaurant and Foods Talk at Whole Foods, Inner Harbor Baltimore $10